September 13, 2013


Mabuhay 2013                                                                            


By Chet Veitch


The Philippine Cultural Arts Society of BC (PhilCAS of BC) is celebrating its 13th anniversary with a presentation of “Philippine Panorama...a mosaic of folk dance and music on November 3, 2013.  Showcasing the various influences of Philippine folk dances and music, Panorama is a colourful and vibrant expression of Filipino history, traditions, religion and culture.  From the tribal music and dances of the indigenous people of the Cordillera mountains, to the fiesta spirit of the rural lowlands and the captivitating Muslim dances of the southern Mindanao and Sulu Islands, Philippine folk dance is a representation of the regional, ethnic, religious and ceremonial practices of the Filipino people.  As well, the rich European influence of its Spanish “conquestadores” is prominently featured in the Maria Clara suite (so named after the heroine of José Rizal’s Noli me Tangere).  These dances were hugely popular in the urban areas and reached its peak at about the turn of the century.  They are also characterized by the formal attire of traditional “baro at saya”, with its long flowing skirts for women, and the “Barong Tagalog” (hand empbroidered upper garment woven out of pineapple fiber) for men. 

Among the popular and more familiar Filipino dances featured in Panorama are the tribal “Igorot” dances such as Idaw, Among, Pinayegpeg and Banawol; Tinikling, Maglalatik, Subli, and Kalapati from the Central rural region; and the epic Muslim dances of Sagayan, Indarapatra, Kappa Malong-Malong and Vinta/Singkil.  Hispanic-influenced dances include Polkabal, Mariposa, Danza and Panderetas.  Complementing the Maria Clara series is the violin rendition of “El Canto Patriotico de Maria Clara” by Kimwell and Grace del Rosario of Rosario Strings, along with vocal rendition of “El Mensaje” and a very famous folk song “Sa Kabukiran” by Salve Dayao, backed up by husband, Ed at guitar. 
 “Philippine Panorama” is sure to highlight many more rarely staged numbers, with awe-inspiring costumes and music.

About PhilCAS


The Philippine Cultural Arts Society was established in 2000 as an homage to Philippine culture and its people.  Under the artistic guidance of its directors, the husband and wife team of Nes and Tonette Gatus, along with a dedicated crew of dancers, parents, and valuable volunteers, PhilCAS strives to promote Filipino art, culture and values through music and dance.  It reaches out to Filipino youth to raise awareness and instill pride in their identity and heritage, and to create a positive experience through personal development, leadership and discipline.

As a non-profit organization, PhilCAS has been a prominent fixture in the social and cultural scene of its home base in Richmond, British Columbia, and is proudly supported by its community and its residents.  PhilCAS is very active in most community and charitable events, and has been recognized for its outreach art programs and for contributing to Richmond’s cultural development.  It endeavors to promote ties with other mulit-cultural groups through cultural exchanges and workshops throughout British Columbia and across Canada.

World renowned and ever popular among its audiences, PhilCAS brings an immense visual experience to its performances, and because of this, it is regularly invited to represent British Columbia and Canada to major international folk dance festivals.  This is a well-deserved honour, having been highly acclaimed at these international events, harnessing the respect and admiration of the international folk dance community and audiences.  Comprising of mostly young Filipino-Canadians, PhilCAS members act as cultural ambassadors, fostering camaraderie with their counterparts from all over the world, and building a strong bond with other ethnic communities.  They are truly excellent role models, not only for the Filipino community but for Canada as well.  


“Philippine Panorama” is a cultural celebration.  An event not to be missed.